Physical possession of a fine or decorative arts item includes an added premium of control. Auctioneers like Sotheby’s and Christie’s have been using this advantage more than anyone in the industry. Their warehouses can be unbelievable experiences to walk through and see such quantity, quality, and diversity (sounds like Newel). But control of the next stop for these objects is really no different than what happens when I as a dealer sell something. Stocking such quantities of inventory are amazing things to see and the antiques show format is a good try. These shows really do pale a walk-through of any of the duopoly’s warehouses which are spread out all…
Archive
Irrevocable Bid Redux
As Enron was well versed in the smoke and mirrors of accounting practices, so too has Sotheby’s and of course Christie’s been encouraged with the buyer collusion offered by the irrevocable bid sham. This is now the duopoly’s new form of giving guarantees, and still collecting generous fees. With their intractable buyer’s premium, they will always be able to manipulate the market. As bad as the gross conflict of interest on getting a seller’s commission and fixed buyer’s premium on an item, the irrevocable bid casts the greatest form of deceit on the buyer. The seller basically is made oblivious to this shenanigan, in the hope of the auctioneer’s ability…
Industry Evolution
I start 2010 with the anticipation that it will be better than the previous year. After reading Niall Ferguson’s book, The Ascent of Money, the road to riches over time has evolved quite dramatically in form and format. So as I look ahead, where have antiques and art come from and fit into the future of money. Perhaps the greatest hope (and tidbit from the book) for an aspiring member of the art and antiques trade is the fact that the great Rothschild family dynasty started in Austria as an antiques dealer. Why didn’t the antiques market evolve like Dutch tulips, real estate, oil, or government bond? Simple, the Rothschild’s…
Happy New Year; Looking Forward to 2010!
I can’t wait for 2010, because it must be better than 2009 for the art and antiques trade. If nothing else, there are changes and underground currents in the industry and wealth in general, that should have an effect on how and why these items are traded. As a matter of some economic thought, financial catastrophes push the evolution of money and its value. The last year has been more than a challenge in our industry, and in particularly the decorative arts and furniture trade. This segment of the trade never really was influenced with a speculative impulse. When the Japanese speculation abandon the Impressionist market in the 1980’s the…
A Classic Small Business Model, the Antiques Dealer
With all the public discussion on the present state of the economy, it has been stated by many economists, that small businesses are the engine of growth for jobs and recovery. Yet, I find practically nothing in any of our government’s actions that foster such possibilities. Dealers of art and antiques clearly experience what is wrong with the economy and the impediments they face to help bring about an upturn in our general conditions. Entrepreneurs of small businesses have many similar qualities that have to do with the scale of operation, financial needs, and government regulations that are not easily distributed to separate divisions and departments. It all seems to…
Antiques and the Luxury Market Today
In the present state of the antiques market, it seems like an eternity since there was a feeling that our products could be bought and sold with any kind of rapidity. Turnover is not happening, and any sale is a welcomed event. Will this ever change; will there ever be a broad based rise in industry activity, and what kind of luxury item are antiques anyway? While the contraction in the number of dealers at all ends of the market has been increasing over the last decade, the rate has definitely picked up with the present economic recession. You can see it in vacant stores and turnover of dealers participating…
A National Antiques Week
FYI, the National Antique Week runs from November 23-30th, but in England. If American antiques dealers would recognize what a positive image could have on their sales, perhaps they might want to come together for such an occasion. It’s hard for anyone to not be curious about antiques. The camaraderie of dealers working together for the purpose of promoting their industry is a step in the right direction. With English trade publications such as the Antiques Trade Gazette, Antiques News, and many other organizations giving publicity and support for the event, the trade and the public both receive the confidence of such endorsements. The fact that the Chief Executive of…
Comments on the Art Trade by Souren Melikian
I have felt a personal sense of consent after I read Souren Melikian’s article on “Navigating a Shrinking Art Market” in the October issue of Art + Auction Magazine. His commentary has taken on the conventional thinking about the industry and fashioned the reality of how it operates under the overextended auction duopoly. I decided to write the Editor of the magazine a note on the article. Perhaps after you read my letter and read the article, you will understand that our industry is going to be changing in ways we never thought imaginable. Sir, This article represents a watershed in your publication’s acknowledging the corrupt and deceptive practices…
Where is the Decorative Arts Market Going?
It depends on what you are looking for. While the antiques market may be fickle, it is still a very viable market, with a definite supply and demand quotient. However, the economic encumbrance of the present worldwide recession in consumer luxuries has had an outsized impact on this industry. As a fragmented industry, it has always been impossible to present a solid business image. As the only viable duopoly in the industry, Sotheby’s and Christie’s have attempted to innovate within the limits of their ability make their own rules and spin public relations. Sotheby’s ability to make the secret reserve and irrevocable bid as plain vanilla deceptions comes to mind.…
A New Auctioneer’s Model: No Reserve or Estimates
The news in the trade has certainly been anything but robust for the image and financial prospects of the industry. However, there seems to be an evolutionary movement of who is willing to try to challenge the current form of that process with a new imaginative approach. Leigh Keno, who is known as a dealer in high end Americana has initiated an auction firm that “will have no estimates, no reserves”. Sounds compelling! The press release as reported in trade magazines states that he is aiming for inventory between $100 and $5,000 of value, however I have no idea what kind of seller’s commission or buyer’s premium will be in…